Posts tagged Macarthur Clough Clarinet
Pregnant nothingness: An interview with Chikako Morishita

chikako This Friday, Kupka's Piano clarinetist Macarthur Clough gives the Australian premiere of Chikako Morishita's solo clarinet work Lizard (shadow). Chikako has kindly taken a moment of her time between composition deadlines and premieres at Huddersfield Contemporary Music Festival to give us a quick intro to her life, music, and guilty pleasures.

Liam Flenady: Let's start at the start. Tell us a bit about yourself. What's your story?

Chikako Morishita: I’m a Japanese composer, occasionally a pianist. I was awarded a BA and an MA from Tokyo University of Arts, and an MA (research) with distinction from University of Huddersfield. I’ve been based in Berlin since 2011. At the same time I’m doing a PhD at Huddersfield under Liza Lim and Aaron Cassidy.

LF: You say in your program notes in fact that Lizard (shadow) is a work about silence. You mention that one of the ways of writing 'lizard' in Kanji is with the characters of 'shade' and 'gate'. How do you draw upon this compositionally?

CM: For me, silence is not just a soundingly absent space, it is a space fully filled by one’s imagination even if materially empty. We call it 'pregnant nothingness' in Japan and I wanted silence in my composition to be like that. As for the title... The score of lizard (shadow) contains various degrees of determinacy and indeterminacy -determinate musical materials function as a framework to illustrate something unstable or indeterminate as if the gate (a fixed object) lets shadows exist.

LF: Lizard (shadow) has something of a 'moment'-like structure, How did you come up with the different sections - were they planned in advance, or did you find the structure intuitively?

CM: Firstly I made variations of some original materials (all passages in this work were derived from a single starting material), and then I made fragmentary moments by combining them. I then shuffled the order, added and removed notes or fragments, and so on.

LF: You've dedicated this piece to the works original performer, Heather Roche, and say in your notes that the layered material 'frames the performer's own interpretative sensibilities'. What do you feel the role of the performer is in your music?

CM: I hope my music to be a device to frame performer’s heightened sense of presence, and also to reveal their unique being.

LF: In Kupka's, we have a running joke that we'll do a 'guilty pleasures' concert at some point, playing pieces or songs that each of us hate to admit that we love. My song is Toto's Africa, a sophisticated, but thoroughly corny piece of early 80s pop. What is your musical guilty pleasure?

CM: Easy. AKB48, the Japanese idol group.

LF: Well I look forward to your modernist arrangement of this classic hit: [youtube https://www.youtube.com/watch?v=dFf4AgBNR1E]

KUPKA'S PIANO's Upcoming March Performances - ‘A new sun rises: Modernist music in Asia’

Kupka's Piano is very excited to announce the repertoire for our two concerts in March entitled ‘A new sun rises: Modernist music in Asia’. Be sure to come along and hear

Wang Lu's From the Distant Plains II (2010) Australian premiere Guo Wenjing's Parade (2003) Toru Takemitsu's Distance de fée (1951) Isang Yun's Etude IV (1974) Chong Kee Yong's Time Flows (2007) Peter Sculthorpe's Alone (1976) Toshio Hosokawa's Edi (2009) Annie Hui-Hsin Hseih's Towards the Beginning (2010) Liam Flenady's Stars, not far off (2013) World premiere

7:30pm, March 8, 2013 at the Judith Wright Centre of Contemporary Arts, Brisbane 1pm, March 14, 2013 at the Nickson Room, University of Queensland, Brisbane

Purchase tickets here.

See you there!

Where in the World is Kupka's Piano?

Where in the world is Kupka's Piano? The 2013 peripatetic concert series supported by the Judith Wright Centre of Contemporary Arts.

In 2013, Kupka’s Piano is bravely going on a series of expeditions. We were getting a bit claustrophobic in the stuffy confines of the established repertoire of modern classical music, so we have decided to break out and set sail for new seas and new shores.

We’ll be seeking out the exciting composers of the younger generations around the world. We’ll be exploring new developments and unheard of musical ideas. We’ll be premiering a bunch of brand new Australian works commissioned entirely for this series.

Each concert will chart a selection of innovative and intriguing works from a different country or region, at the same time linking to Australian works both celebrated and obscure. Firstly we’ll hop from island to island, country to country across Asia and hear the play of Eastern and Western influences in composers from Malaysia, Japan, China and Korea. ‘A new sun rises: Modernist music in Asia’ - Friday, 08 March 2013

Next we’ll skip continents to the Old World, and hunt down the latest developments in Germanic music. No longer the friendly Viennese tunes we’re used to, no longer the clinical serialist powerhouse - what are they up to over there? ‘Giants behind us: German music and its discontents’ - Friday, 10 May 2013

Continuing our Europe sojourn we’ll head to the Renaissance heartland of classical music, Italy, to see what strange and colourful surprises are in store from our fiery Mediterranean innovators. A collaborative concert project with leading European new music group ensemble interface.* ‘To roam with love: Getting lost in new Italian music’ - Friday, 27 September 2013

Finally, we leapfrog over the Atlantic to the New World, getting lost in the buzz and commotion of modern American life. We all know Hollywood, sitcoms, and MTV... but what happens when American culture puts on its serious face? ‘The American dream-song: New music in the USA’ - Friday, 29 November 2013

Keep your eyes on the horizon and look forward to new lines and dots on the musical map!

* This concert is supported by Australia Council for the Arts as part of a JUMP Mentoring project.

Grisey, Boulez, Brisbane is coming!!

The newly formed Kupka’s Piano explores the Paris-Brisbane connection with a concert of modern French masterpieces and new works by emerging Brisbane composers.  Major French composers of the 20th Century Olivier Messiaen, Pierre Boulez, and Gerard Grisey each take up and extend the characteristically exquisite French compositional style - albeit in varying ways. From the haunting, divine visions of Messiaen to the tight-knit filigree of Boulez to Grisey’s cosmic proportions, each one has captured a new way of feeling the beauty of sound. These ideas have impacted on young Brisbane composers Liam Flenady, Peter Clark, and Michael Mathieson-Sandars in their own development. Come hear these composers in dialogue through performances of masterworks and premieres by leading musicians of the new generation in Brisbane.

For this concert Kupka's Piano will be joined by guest violinist Graeme Jennings and guest percussionist Cameron Kennedy.

Date: 7.30pm, Friday 5 October 2012 Where: Music Rehearsal Room, Judith Wright Centre of Contemporary Arts, 420 Brunswick St, Fortitude Valley, Brisbane Ticket: Full $20 | Conc $10 Bookings: Phone: (07) 3872 9000 or Online: www.jwcoca.qld.gov.au

Grisey, Boulez, Brisbane is part of New Music Network's 2012 Mini Series.

Programme: Stèle (1995) Gerard Grisey Sketch-fragment VI (Berio-rendering) (2012*) Peter Clark Poèmes pour Mi (1936) Olivier Messiaen Trio “Esprit Rouge” (2012*) Liam Flenady Solo for flute (2012*) Michael Mathieson-Sandars Dèrive 1 (1984) Pierre Boulez

* World Première